Ms. Anita Ekberg who
became an international symbol of lush beauty and unbridled sensuality
in the 1960 Federico Fellini film “La Dolce Vita,” died on Sunday in
Rocca di Papa, southeast of Rome. She was 83. I loved Anita who is remembered for her overflowing decolletage, sultry ice-blond looks and her Sensual dip in the Trevi Fountain in Federico Fellini’s 1960 masterpiece of hedonistic Rome! Vita,”
The cause was complications of a long illness, her lawyer, Patrizia Ubaldi, said.
Ms.
Ekberg had kept a low public profile in recent years. She did make an
appearance in 2010 at a film festival in Rome, where a new restoration
of “La Dolce Vita” was having its world premiere. In December 2011 it
was reported that she was almost penniless, had no family to help her
and was seeking financial assistance from the Fellini Foundation while
living at a nursing home in Italy, her adopted country
.
Fellini
cast Ms. Ekberg in “La Dolce Vita” as a hedonistic American actress
visiting Rome. A single moonlit scene — in which she wades into the
Trevi Fountain in a strapless evening gown, turns her face ecstatically
to the fountain’s waterfall and seductively calls Marcello Mastroianni’s
character, a jaded journalist, to join her — established her place in
cinema history.
Ms. Ekberg won a the Golden Globe
sharing the 1956 award for most promising newcomer with Dana Wynter and
Victoria Shaw, but most of her roles focused primarily on her face and
figure. When she traveled overseas to entertain American troops in the
1950s, it was as a sex symbol. Bob Hope introduced her as “the greatest
thing to come from Sweden since smorgasbord” and joked that her parents
had won the of the Nobel Prize for architecture.
Decades later, Entertainment Weekly: “When you’re born beautiful, it helps you start in the business. But then it becomes a handicap.”
Kerstin Anita Marianne Ekberg was born on Sept. 29, 1931, in Malmo, Sweden, one of eight children of a harbor master.
She
did some modeling in her teens and was later named Miss Sweden,
traveling to the United States as a special guest at the Miss America
pageant in Atlantic City. She did not take home the Miss Universe title
but did win an American modeling contract and was soon acting as well
.
.
Ms.
Ekberg’s first credited film role was in “Abbott and Costello Go to
Mars” (1953), in which she played a voluptuous guard on the planet
Venus. During the next decade or so she was kept busy in Hollywood
movies, including “Blood Alley” (1955), a drama with John Wayne, in
which she played a Chinese woman; “4 for Texas” (1963), a western with
Frank Sinatra and Dean Martin; “Call Me Bwana” (1963), a comedy with
Hope; and two comedies with Dean Martin and Jerry Lewis, “Artists and
Models” (1955) and “Hollywood or Bust” (1956).
She
also made a cameo appearance in the travel comedy “If It’s Tuesday,
This Must Be Belgium” (1969) and, on the more serious side, had a
supporting role as the alluring, social-climbing wife of Henry Fonda’s
character in King Vidor’s epic production of “War and Peace” (1956). But
it was “La Dolce Vita” that made her famous.
She
worked for Fellini again, as a billboard photograph that comes to life
in the segment of “Boccaccio 70” (1962) that he directed, and as herself
in both “The Clowns” (1970) and “Intervista” (1987). Over a five-decade
acting career, she made more than 50 feature films. Her last screen
appearance was on a 2002 episode of the Italian television series “Il
Belle Delle Donne.”
Romantically
linked with Hollywood actors including Frank Sinatra, Gary Cooper,
Tyrone Power, Rod Taylor, Yul Brynner and Errol Flynn, she married and
divorced twice. Her husbands were Anthony Steel, a British matinee idol
(1956 to 1959), and Rik Van Nutter , an American actor who also appeared
in films under the name Clyde Rogers (1963 to 1975). Mr. Steel died in
2001, Mr. Van Nutter in 2005. She had no children.
Ms.
Ekberg was often outspoken in interviews, naming famous people she
couldn’t bear. And she was frequently quoted as saying that it was
Fellini who owed his success to her, not the other way around.
“They would like to keep up the story that Fellini made me famous, Fellini discovered me,” she said in the interview in 1999 with The New York Times. “So many have said they discovered me.”
But she did appear reflective at times. “If you want la dolce vita, it is how you look at life,” Ms. Ekberg mentioned
The New York Observer the same year, while in the United States to
publicize “The Red Dwarf,” a European film in which she played an aging
opera star. “When I go back to Rome, my roses will be in bloom again.”
During
an interview with the Italian newspaper Corriere Delle Sera on the
occasion of her 80th birthday, she was asked if she was lonely. She said
yes, a bit. “But I have no regrets,” she added. “I have loved, cried,
been mad with happiness. I have won and I have lost.”
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