’s new silhouette was created with the help of bustle-like padded bottoms. “I never mean to be naughty,” the flame-haired designer told Vogue at the time.
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“It’s just a question of adjusting the eyes. It’s only perverse because it is unexpected.” With On Liberty, Westwood continued her exploration of historicism and female sexuality and delivered it with a British sense of humor. Critic Bernadine Morris described the models being “dolled up like 19th-century dance-hall girls pretending to be ladies,” further noting that “they spoofed themselves as well as fashion.”
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