Met Gala 2016:
Fashion veers into tech on the Red Carpet
Featuring
 a flurry of silver, lustrous and futuristic looks, the fashion elite 
gathered Monday evening for the Met Museum's annual black-tie 
extravaganza. 
As
 expected with a technology-tied theme, metallic accents paired with 
sleek, slick-backed hairstyles featured prominently on the night. 
Models
 Alessandra Ambrosio and Cindy Crawford, and the Kardashians' youngest 
Kylie Jenner were among those who opted for sterling-hued looks. 
Singer
 Rita Ora donned a metallic grey, feathered Hunger Games-like get up 
while actress Kate Hudson's white dress was more of a sculptural and 
deconstructed take.
Much of what was paraded out could be described as a sort of artificial intelligence chic.  
'Homeland' star Claire Danes was glowing, quite literally, with a dress that could light up designed for her by Zac Posen. 
Even the famously stern 'Vogue' editor-in-chief Anna Wintour took on a futuristic vibe. 
The exhibition itself charts
 the evolution of fashion from the invention of the sewing machine to 
the onset of mass production that's enabled fast fashion juggernauts 
like Zara and H&M to thrive. 
In fact, H&M outfits made it onto the night's red carpet via actresses Hailee Steinfeld and Amber Valletta.
Hallowed
 haute couture -- painstakingly crafted by teams of artisans -- is 
pitted against the "gotta-have-it" now mentality of ready-to-wear and 
the high street.  
Apple's chief design officer Jonathan Ive joined Wintour as co-chair of the event. 
Although the company's most fashion-oriented venture -- Apple Watch, along with other wearables like Google Glass have failed to impress so far -- it was the high profile departure two years ago of Angela Ahrendts, who ditched her role as CEO at historic British fashion house Burberry for Apple that alerted the world to the increasing collaboration between the two arenas. 
Driven
 by the advent of 3D printing, computer modeling and laser cutting 
techniques, fashion and technology are moving closer than ever. 
Met
 Museum Costume Institute curator Andrew Bolton said the exhibition will
 hopefully "debunk some of the mythologies of the handmade and machine."
 
"Traditionally the handmade has 
been seen as being about luxury, about superiority and it's also been 
seen as something that's elitist," Bolton explained. "Whereas the 
machine has been about progress and the future. On the other side, it's 
been about mediocrity and dehumanization." 
"I'm
 finding those values don't really hold up," Bolton continued. 
"Sometimes a garment that's been machine-made actually has more hours 
spent on it, is more luxurious than doing it by hand." 
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