Pasolini, Picasso, Cocteau, Kerouac…
VALENTINO
that's a pretty special posse of
male muses. Translating the essence of that wayward crew into clothing
seems like a challenge too far. Nevertheless, they were the outsiders
and rule breakers who inspired Maria Grazia Chiuri and Pierpaolo
Piccioli's new collection for Valentino, and, with a little effort, you
could detect their perverse contrariness in clothes with a silkily
decadent edge. 
"Silent sedition" was the claim lodged by the show notes. In the context of menswear—"a world of rules," as Piccioli said—the densely decorative nature of the Valentino collection was insinuatingly otherly. Embroidered butterflies, beasts of field and forest, flowers like a starburst of fireworks, symbolist Odilon Redon's deadly blooms—this was scarcely the stuff of an ordinary menswear collection. Neither were the sinuous, pajama-like silhouettes.
Chiuri and Piccioli have carved themselves a substantial niche in haute couture. That's the spirit they want to bring to menswear. Not bespoke, because that's normally about suits, but couture as an experimental forum, an artistic point of view. The first six looks in today's show were couture options, but they were profoundly ordinary: a polo, a K-Way, a trench, and so on.
That was the point. Customizing something as banal as a polo shirt would truly exalt the individual. But that notion infected the whole collection. The white shirttails that floated out from under sweaters? Cotton, right? Wrong. They were wool as fine as silk. Such numbingly perfect craftsmanship is like a drug.
And that tracks back with absolute efficiency to the muses for this collection—driven individuals attempting to escape their doom through an obsession with style. The power of fashion!
No comments:
Post a Comment