Versace Goes Intergalactic

 

Donatella Versace                                              masters a future perfect blend of what's been and what will be.

 

The womenswear collection that Donatella Versace showed in September for Spring 2016 was far and away the most powerful statement she has made since taking the reins at the house her brother founded. Fabulous, yes, but it raised the bar incredibly high for her men’s presentation on Saturday night. Could she sustain the momentum? 

 

Early warning signs said yes. In total darkness, luminescent maze runners sprinted through the venue, running into the future. What followed was an endlessly surprising blend of what’s been and what will be. There were big soft-shouldered coats in classic menswear fabrics and there were silver-foiled astronaut-ready shearlings. 

 

There were lean Mad Men suits and there were pieces lathered with grommets and mechanical bits, like a futuristic Dr Frankenstein was trying to make The Perfect Man. The jewellery could have been souvenirs from the 1964 World’s Fair. The mood was Gattaca, a future that was familiar and yet still laced with enough alien-isms to have a kick. One outfit matched comfy wooly mitts to a metallic leather shirt. Another did the same thing with felt.

 

A female voice intoned V-E-R-S-A-C-E on the soundtrack, cool, robotic. And yet Donatella also showed an item as decadently present as a duffel coat in a lilac wool that was all but edible. A poignant moment of Bowie's Space Oddity closed the show. High tech, high touch, old world, brave new world. There was something so supremely confident about the way the designer mashed it all together that, in tandem with the women’s show last season, you could only wonder at what sea change she must have suffered.
Donatella’s clearly feeling free as a bird. And she’s taking Versace on the roll of its life.

 

Viva Versace: Men in Versace Underwears!

 
Tribute to everything Versace for Mens, from videos, editorials, ad campaigns, quotes, and images from my personal archives spanning 15 years. I will try to catalogue Versace's images from my favorite collections during the last decade. Gianni Versace was a man who changed my life and introduced me to the world of fashion, art, supermodels, photography, and music. He will never be forgotten... enjoy!

Italy's Hottest Designers!

 

Don’t call them young, don’t call them new: the designers in this article are the already-recognized evolution of Italian fashion. They did their best, challenging a market dominated by luxury brands, deciding to work for themselves in an uncertain historical period. And they’ve done it. It can be seen in their sales and their followers. 

 

Despite their differences, there is a fine red thread that links them together: the humility with which they started up: in silence, taking samples around in the trunks of their cars, looking for a break abroad, working day and night in the offices of a fashion house. But it's also the determination in wanting to do it their way, looking for investors, suppliers, small workshops for production, going to the basics of materials and hand craftsmanship, taking on the role of entrepreneur. 

 

Few of them have an established business behind them. This has made them freer, more curious, cultured travelers. With a calculator in their hands, sure, but with visionary talent.

Fausto Puglisi managed to first convince the stars and then the critics. His journey began in 1999, when the designer from Messina flew to LA, looking for America. Today he shows in Milan (and his catwalk, with its lights, music and atmosphere, is one of the most eagerly anticipated and spectacular) and is represented in 160 boutiques worldwide. Strong vibrant colors, pop prints, leather and studs are his signature looks. But behind his friendship with celebrities, there is his cultured and mature attention to every detail: rigorously hand-embroidered by a top secret Lombard workshop.

It should have been a collective project between art and fashion: it became an international clothing brand. Created by Alessandro Biasi and produced exclusively in Milan, A-Lab has become famous by looking forwards, with the shape of its armour-clothes (some, from their debut, still numbered like pieces of art) and by using digital communication: “A parallel reality, which doesn’t always correspond to the truth.” 

 

 There are three fundamental moments in the story of Andrea Pompilio: the shock on his grandmother’s face when, age eight, he revealed he wanted to work in fashion; the move from Pesaro to Milano and the decision to go it alone (his brand debuted in 2010 with the first women’s collection in 2013). There's just been one emotional crisis in NYC, after arriving in Calvin Klein’s style office, because he didn’t know anyone in the city. Everything else has been work, intuition and solid experience for his cv (also with Prada). His garments are now in 37 points of sale, and focus on the idea of masculine sartorial style. “I define myself as classic: duffle coats and double-breasted designs are never missing from my collections.”

 

 From Mantua, he's gentle in his actions, with a poetic but functional approach to fashion, and never mainstream. After starting off with a strong design focus and a passion for tactile experiences (he was working as a consultant for a fabrics firm), he debuted with his own brand in 2009. He loves silence, the elegance of days gone by and the ability of the Japanese to remain in equilibrium between sobriety and madness. These inspirations emerge between the lines of his men and women’s collections, in which he puts together clean lines and special materials (also hitech). Recognition of his talent for accessories has led him to become, from two seasons, the creative director of Tod’s men’s collection.

 

 After graduating from IED, Marco De Vincenzo (1978, Aries) found out that there would be interviews at Fendi the following day. He introduced himself, literally, and was taken on. From then on he grew in the design office of the fashion house, working side by side with Silvia Venturini. Above all he learned “to not trust the obvious and to not be afraid of making brave decisions.” So much so that he launched his own line, with a first show in Paris in 2009. Today the boy from Messina is, for creativity and preciousness, among the most respected of the new Made in Italy fashion. His signature piece? “The skirt, symbol of femininity and movement.”

 

 Brought up in Modica (Ragusa) among the precious materials of his mother’s shop, known as “The Lady of Silk,” Daniele Carlotta (born in 1985) has a sense for materials, a taste for contrasts and a sexy aesthetic which goes beyond European borders. In fact, only two years after the launch of his first collection he is already present in one hundred boutiques around the world. Meanwhile, given his passion for the atelier dimension and a direct relationship with clients, the Sicilian designer is thinking of a made-to-measure project. 

 

 A meeting at a Milanese party: they talked about fashion. Thinking about it, Mirko Fontana and Diego Marquez (35 and 40 years old respectively) were right. They agreed on the fact that something was missing from the Italian panorama: a brand which would be strong and funny (at an affordable price). So they created it in 2010. Notoriety came straight away through social media, where they became the favored designers of bloggers and friends. The digital word-of-mouth was so intense as to get to Giorgio Armani himself, who then wanted to endorse them, having them as guests in his theatre for their first official show. A men’s collection followed and global visibility. Their best sellers? For her, t-shirt dresses, a piece which is now in continuous production. For him, patterned sweatshirts and t-shirts.

 

 They fell in love, but after Polimoda they couldn’t find satisfying work for both of them in the same city. So Alex Flagella (31) and Michela Musco (28) founded, in 2011, the Roman atelier Greta Boldini. In a short time it transformed into a label looking for a fresh sartorial approach, a new generation. Today the design duo are on their sixth collection. “With the last collections we started from scratch, turning to a more minimalist taste, which still focuses on hand-embroidered details, but in a more wearable version. Also for daywear, with straight tunics and flat sandals.”

 

 He began with streetwear, and has excelled both at using colors and marketing. The result: more than 600 shops in six years with his brand MSGM and the appointment as Creative Director at Emilio Pucci. Massimo Giorgetti, from Rimini, had a genial intuition: to enter into a slice of the middle market with an instantly recognizable, energetic and day-to-day product. A determining factor in the extraordinary success he’s had has been his partnership with the manufacturer (the Paoloni Group) and the distributor (the showroom of Riccardo Grassi), solid Italian realities. 

  

For their label (created in September 2010) they chose an original phrase: a breakfast invitation: “It’s the moment of the day that we both prefer, the one we like to share.” Antonio Romano and Francesco Alagna love to be direct, no filters, and they place themselves out of the pack: “Comeforbreakfast? An independent, experimental, intimate brand.” Among their best-selling pieces, tailored jackets and, surprisingly, sandals, a well-liked limited edition. They are among the selection for the Woolmark Prize 2016, which will be assigned in the next months.